It was a nice warm night. I went out and set up my easel in my back yard near my studio. I looked at the cluster of houses across the field. I started painting them and the different lights that were on. My paints were behaving normally, flowing smoothly off the brush. It was great!
I work with a limited palette so it was very easy to grab a dark or a light and find my way with my brush around the different shapes. My headlight was getting dim. The batteries were worn out. No problem, I moved my easel closer to my studio flood lights. I just kept painting and guessed at what I was seeing.
I notice when painting in the dark it actually helps to not see very well. Hard and soft edges are easy to discern. If I can see it clearly and it is really bright it must have a hard edge. If its subtle and dim it must have a soft edge. When I paint it that way all the shapes emerge and all these lights appear. There is a beautiful mystery to it all. I liked this view of a back porch light, warmly lit windows and other random outdoor lights. I could see the different lights in the dark but I couldn’t tell you what they all belonged to ! The warm glow, the bits of scattered lights and lit windows were enough to hold my attention in the darkness.